Recently, a LinkedIn sci-fi writing group to which I belong posed an important question to its group members. That question was, What comprises
believable science fiction writing? I contributed to the discussion (of
course!), but I also took a moment to scribble out a longer response to a
broader form of the question:
“I think
that the problem with the question, ‘What comprises believable writing?’ lies
in word choice. ‘Believable’ is perhaps not as accurate as ‘logical.’ We, as
readers, should never believe everything we read or hear – not even
non-fiction. We should constantly be dissecting and digging into the plot, even
of a newspaper article or a historical biography because every author has a bias
that is already trapped inside the pages of their works.
The
questions in this context really are, Is this author’s train of thought logical
according to what I know about the book/genre/style/plot? Are this author’s
characters behaving logically according to what I know about them as people,
creatures, aliens, etc.? Does the situation logically develop from the premise?
‘According to what I know’ is another important phrase here. Sometimes
the plot/character/situation is logical… just not based on the information that
the author has provided for us up to this point in the story. Other times, the
plot/character/situation is not logical in the real world, but it is perfectly
logical within the world that the author is presenting.
Another
very important question also rises in this context: if the
plot/character/situation is not developing in a logical manner currently, we
must ask ourselves as readers if we are willing to wait until the author
provides us with a sufficient motivation within the story for the illogical
plot/character/situation.
This
question is the critical point where we all differ as readers; we all have a
different definition of what “sufficient motivation” really is. We all disagree
on the point at which the author ‘proves’ the plot/character/situation is
actually logical/worth reading. That is the reason why some readers can be
content with never finishing a story and other readers didn't even stop to eat
or drink while reading the same story.
However, I
think that if we apply these kinds of reader questions (good readers should
constantly be asking questions of themselves and of the story) to our personal
writing and editing, we can use the answers and the knowledge gained in the
creation of all genres. Ultimately, we want readers to become involved in our
writing and be able to follow it, not come to an unhelpful jolt in the middle
of our stories. We never want to discourage someone from continuing to read our
writings from start to finish.”
What are some other factors which make writing believable or logical?
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